Curated by: Curating Contemporary Art 'University at Albany'
Upon entry this bold show statement captures your attention.
To the right is a Guerrilla Grannies Poster.
To the immediate left is one of Alex Waters paintings.
The long hall further to the left is displaying Robert Gullies work.
Hanging in the left window is another Poster by Guerrilla Grannies.
And another to the right.
The wall to your right when you walk through the front door is displaying Connie Frisbee's prints of abandoned houses in New Orleans. They worked very well with the space and stand strong as works of art next to the colorful piping on the wall.
Close view of images on the left.
Close view of images to the right.
Jamie Rodriguez's Installation piece.
Titled: Imigração Involuntario
Just a closer view of the particular detail of the Installation.
Exquisite.
The hallway filled with prints by Robert Gullie.
The Family,
Hand-tinted black & white photograph.
The Priest,
Hand-tinted black & white photograph.
The Puppet and the Puppet,
Hand-tinted black & white photograph.
The Yellow Bow with Flowers,
Hand-tinted black & white photograph.
The Princess,
Hand-tinted black & white photograph.
The Prince and Princess,
Hand-tinted black & white photograph.
Alex Waters Painting's in the White Florescent Mirror room.
For Her Name, Mixed Media
Splinter of Sentences, Mixed Media
Lost Song, Mixed Media
Rented Vessels, Mixed Media
The glossy finish on the paintings reflected the lights in a unique way.
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